Mar 31, 2021
EPISODE DESCRIPTION
Executive Director and Lutenist Deborah Fox of Pegasus Early Music joins the Soundweavers team to discuss the nature of leading an organization that curates both the repertoire and personnel for each concert. She speaks with us about the ways in which Pegasus is promoting antiracist practices in a musical style “largely written by white, male, Christian Europeans.” We chat about Pegasus Rising, the organization’s program for promoting emerging artists in early music. We also talk about Pegasus’ association with the Eastman School of Music’s Arts Leadership Program and how the organization offers meaningful internships. And we finish with a conversation about how “even operas are chamber music…”
ABOUT PEGASUS EARLY MUSIC:
Deborah Fox is a lutenist with a span of repertoire ranging from medieval to baroque music, as a soloist, chamber music player, and baroque opera continuo. She has performed with the major early music ensembles and festivals from Newfoundland to Australia, including the Carmel Bach Festival, Glimmerglass Opera, Les Violons du Roy (Montreal), Spoleto Festival, Opera Atelier (Toronto), Pinchgut Opera (Sydney), Concert Royal (NY), Haymarket Opera and Third Coast Baroque (Chicago), and others. She received the Certificate of Advanced Studies in Early Music at London’s Guildhall School, specializing in the improvised accompaniment practices of the baroque. Her teachers have included Paul O’Dette, Pat O’Brien, and Nigel North. She has been a Teaching Artist for the Aesthetic Education Institute. She is the founder and director of Pegasus Early Music in Rochester, NY, and the director of NYS Baroque in Ithaca and Syracuse, NY.
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Transcript